Aspects of Butoh

Aspects of Butoh

Butoh Workshop
July 1, 1-4pm (please arrive at 12:45)
BeBe Theatre
20 Commerce Street, Asheville, NC 28801
Instructor: Julie Gillum
Cost: $30 (cash at the door)
More info: ashevillebutoh.com/legacy-butoh

Aspects of Butoh is an open-level workshop where participants will have the opportunity to explore butoh with a committed performer and teacher of the form. Topics covered include space/time, forces, the senses and the authentic body vessel.

The Dance of Intimacy – Butoh Workshop with Constance Humphries

The Dance of Intimacy – Butoh Workshop with Constance Humphries

June 3, 1-4pm
Instructor: Constance Humphries
Cost: $30
More info: constancehumphries.comfacebook.com/events/402051826930408/ 

In this 3 hour workshop we will practice seeing and being seen through the lens of intimacy. Participants will make the invisible visible, learning more about the vulnerability of the body and mind.

The following areas of practice are highlighted: relationship to time, movement articulation, improvisation, full body engagement, breath, imagination, body/mind states and clarity of consciousness.

Delivered in an approachable atmosphere which facilitate butoh practice in a positive and challenging context of serious play, the workshop is suitable for everyone, including actors, dancers, live/performance artists, musicians and anyone interested in exploring butoh as a means of creative investigation.

All aptitudes and abilities are welcome. No previous experience required. Participants are encouraged to work at their level.

butoh poems by bronwyn preece: julie becton gillum’s five-day workshop

butoh poems by bronwyn preece: julie becton gillum’s five-day workshop

Bronwyn Preece took Julie Gillum’s workshop in Merida and used her words in both english and spanish. They will be included in a new publication, The Routledge Companion to Butoh Performance

january 2017

1.

i am
the eyes
beyond
the room :
open
in the
bursting
water
bag of the
cuerpo :
the tension
of flexible
wires in
joints, the
hinges of
barred
windows,
the peel
of the
paint,
the vocabulario
of stillness
in speed,
the music of
plantas,
insects,
animals :
the impulse
of clay, the
improvisation
of contact,
the sculptor
as/of group
membrane
in interchange :
moved
by an outside/
[inside] force
other than my/
our will.
we are
the introductory
translation of
the músculo
of butoh

2.

i am
the mad
puppeteer
stringing
tail to
estrella,
through
wind
and wave,
the marioneta
of the
splintered
floor –
grounding
the sagittal
bounce
of noguchi :
a gymnastics
of smoke &
shadow :
the aire
intimo
of creating
hijikata’s
form with
the soul
following,
ohno’s
corazón,
wherein
form reveals
itself :
becoming
the presence
of presence
becoming :
exploring the
edges of our
lives and
life at and
on the
edge

3.

i am
infinity :
a símbolo
ridden through
history : a
body bag
of currents,
elements :
extreme,
shocking :
never neutral :
big, vulnerable
in an ocean
full of
contaminants,
in a sea of
happy fish,
i am the
hermaphroditic
polluted
pescado,
swimming
upstream :
butoh my
política :
mirroring
through our/
my mask the
[emotional]
exaggeration

4.

i am
the butoh
of
transformation
in these days
and dances
of darkness,
we are both
life and
death, in a
mundo
where time
can move
both forward
and back,
i discover the
world with
fresh ojos,
taking baby
steps, into
the mud of our
cultura, i
crawl towards
flowers – the
desiccation and
the blossoms,
through resistance
and partnership, i/
we find the
semilla of our
humanity…
shared

5.

I am
the fuera
in my
belly,
stamping
the whole
ground
with my body –
one that
will never
be trumped…
as i, along
with these
‘strange little
ladies and
gentlemen’
smell the
mexican
flowers on
our chests —
our hearts –
as we
dance
through the
inauguration ,
we gender –
bend, and
transgress
the dualities,
our imposed
fronteras ,
our walls :
We become
The anti-
stamp, in
our quiet
revolt, we
are earth ,
who never
need(s) to
show the
Soles of
(his/her)
connected feet …

© 2017 bronwyn preece

Noguchi Taiso (Water Body Movement) with Mari Osanai

Noguchi Taiso (Water Body Movement)
with Mari Osanai

Don’t miss this AMAZING opportunity to study with Mari. She is a rare and beautiful teacher!!
Early Registration Pricing through February 15th.

What: 4-Day Intensive Workshop in Noguchi Taiso (Water Body Movement)
Who: Mari Osanai – Master Teacher
DatesThursday thru Sunday, March 8-11, 2018
Times: Th/Fr: 6-9PM, Sa/Su: 1-6PM
Where: New Studio of Dance, 20 Commerce Street, Asheville, NC
CostThursday and Friday $40 each (After Feb 15th $45/each day) / Saturday and Sunday $80 each (After Feb 15th $85/each day) / Full Workshop $225 (After Feb 15th – $240)
Ticketsmari-osanai-asheville.brownpapertickets.com

Noguchi Taiso physical training technique was founded in Japan by Michizo Noguchi. This introductory workshop will help you find new ways to improve your movement efficiency, while letting go of unnecessary tensions. Mari explains “it’s not about strength or resistance, or forcing the body to move in a certain way. Instead, it allows the body to melt. It is tender and flexible, and lets us give in to gravity rather than fight it. Noguchi Taiso allows us to find a more natural way to move.


A quote by founder Michizo Noguchi:
“I define Noguchi Taiso as a creation of one’s new self as nature within us. Noguchi Taiso draws from a natural force that exists in our body and that is expressed through and with the natural materials that our bodies are made of. Taiso = Gymnastics is a way of exploring HUMANITY. My whole being is laboratory (atelier), research material (canvas) and scholar (artist).”

Dancer, choreographer, teacher Mari Osanai has performed and taught in Japan, Canada, USA, Greece and Germany. Her workshops focus on Noguchi Taiso combined with the influences of her early training in Tai Chi, western dance methods, traditional folk dance in Aomori, Japan (her birthplace), and the connection between one’s thoughts and sensation of weight. Osanai’s approach to movement research and exploration begins with a heightened awareness of gravity’s influence on the body and the body’s connection with the center of the earth.

Exercises in the workshop train the body to embrace its weight and heighten its sensitivity to move from its most relaxed and receptive state. Starting with images, such as washing the body with water, air, sunlight, workshop participants will discover the body’s vital energies rooted in its inherent hydrodynamics. Movement and form result as participants ingest imagery inside their bodies and allow the changes to shift the body’s interior.

Noguchi Taiso training can benefit dancers, actors, somatics practitioners, anyone interested in expanding body awareness and capacity. Workshops are designed for all levels and complete beginners are welcome.

Performance and Butoh Workshop with Vanessa Skantze

Threshold Embrace: a performance
by Vanessa Skantze and Tashi Dorji

Performance Date: Friday November 10th, 2017
Time: 7pm
WhereRevolve
Tickets and more information

The Invisible Wind: Awakening the Body Instrument
Date: Saturday, November 11, 2017
Time: 1-5 PM
Where: 475 Fletcher Martin Road, Alexander, NC 28701
Cost: $25 by November 1 / $30 after November 1 or at the door.
Ticketsvanessabutohworkshop.brownpapertickets.com
Questions: jbgbutoh@gmail.com
More infoashevillebutoh.com

“To translate the invisible wind through the water it sculpts in passing”. (Robert Bresson)
Awaken the body instrument with a Butoh dance workshop conducted by Vanessa Skantze. She will utilize myriad structural, energetic and visualization practices designed to deepen the awareness of the body as instrument. We will explore developing the interior realm of rhythm and vibration as a means of expanding the range of the instrument beyond image. A particular focus will be to develop strategies toward deep listening and improvisational work with sound artists; Vanessa is a seasoned improviser and considers this to be the central river of her dance performance work. Live music created by Elisa Faires will accompany the workshop.
“Butoh is a corpse standing straight up in a desperate bid for life” (Tatsumi Hijikata)


Vanessa Skantze is a Butoh artist and teacher of yoga and dance from Seattle. She has performed in the U.S. and Europe for over 20 years. She co-founded New Orleans sound/movement ensemble Death Posture in 2002, and collaborates with many renowned musicians including Jarboe and percussionist Tatsuya Nakatani. Skantze has trained with Jinen Butoh founder Atsushi Takenouchi since 2003, and performed with him in the U.S. and Europe. Since coming to Seattle in 2004 she has created numerous ensemble works under the name Danse Perdue as well as solo pieces. In 2013 she taught as part of Lydia Lunch’s Post-Catastrophe Collaborative. In 2016 she was a movement director and performer for a production of Henry V with Freehold Engaged Theater, which tours correctional facilities in the Seattle area. She returned as movement director for the 2017 production of Hamlet; and is a teaching artist with Freehold in the women’s correctional facility. She is a co-founder of Teatro de la Psychomachia, a performance space in Seattle that hosts many local, national and international sound and movement artists.
“The title reflects the space of the unknown that improvisation inhabits; also the deep listening, trust and communion that the individual performers are bringing to that space of convergence.”
(Vanessa Skantze)

Back to Basics Butoh Practice

In preparation for the upcoming 11th Asheville Butoh Festival in April, artistic director Julie B Gillum, is offering 6 workshops (12 hours) designed to prepare and introduce any body to butoh dance. (Only life experience is necessary, dance work is appropriate for any age or level.) Warm ups will consist of exercises from Noguchi Taiso, Modern Dance, Release Technique, Improvisation, and butoh practice. Practice will explore the 3-dimensionality of joints. The body, part by part, will experience being moved by an outside, unseen force rather than by personal will or objective. We will work with imagery to allow the body to move with /without weight and substance. We will work toward the primary goal of cultivating and sharing intimacy with self, partner, group, and audience.

Dates: Monday Evenings February 27 – April 3, 2017

Time: 6:30 – 8:30 PM

Where: 475 Fletcher Martin Road, Alexander, NC 28701
http://www.frenchbroadstudios.com/index.html

BIO: Julie Becton Gillum has been creating, performing and teaching dance in the US and internationally for over 40 years. Her primary form of artistic expression has become butoh, which she has been practicing, performing and teaching since 1997. She has created and presented major pieces in the genre, at a variety of venues in New York, Chicago, San Francisco, Seattle, and Mexico. Gillum was awarded the 2008-09 NC Choreography Fellowship and used the funds to go to Japan the summer of 2009 to study butoh at the source.

Cost: $100 for all 6 sessions, paid first night of practice OR $20 per class

Contact Julie: email: bgbutoh@gmail.com

Butoh Workshop: Finding Our Hiding Spots

Shadowbody photography by Li Yang
Photography by Li Yang

Finding Our Hiding Spot
Butoh Workshop with shadowbody

We will travel into subtle mind/body spaces hidden within us in three parts: warmup, form/breaking form, and creation.
*All ages and levels welcome.

Saturday September 3, 2016; 1:00 – 4:00 PM

New Studio of Dance, 20 Commerce Street, downtown Asheville, NC

http://www.acdt.org

Cost:$30 (general);  $25 (students /seniors)

BACK BY POPULAR DEMAND! A Technique For Butoh Dance

DSC_0405-2

In this course, I would like to further develop the material from the original course taught in February, which barely scratched the surface. Several of the participants expressed interest in continuing to explore “A TECHNIQUE FOR BUTOH DANCE.” If you are interested, show up on June 13; if you have questions please contact me. All levels are welcome.

What:  A TECHNIQUE FOR BUTOH DANCE 6 – Week Session
Who:  Taught by Julie Becton Gillum, jbgbutoh@gmail.com, 828 683 1377
When:  Monday Evenings, 6:30 – 8:30 PM,  June 13, 20, 27, July 11, 18, 25
Where: French Broad Studios
475 Fletcher Martin Road,
Alexander, NC 28701
Cost: $100 for entire series OR $20 per session.

Based on exercises and improvisations from Butoh training, Noguchi Gymnastics, and Modern Dance, this course aims to introduce a method for training and preparing the body to dance butoh. Classes will introduce, explore, and develop physical skills and anatomical theories of the body. Graham’s contract/ release theories, Humphrey /Limon’s concepts of fall /recover /rebound /suspend, Cunningham’s isolation and articulation practices, as well as Noguchi’s work with body as a water bag will provide material to assist in developing alignment, control of the center, and balance which are necessary for any dance or theatre performance. We will explore how to shape space through the timing and effort of our own creative energy, applyiing it in  collaboration with gravity, and other physical forces. From the tiniest twitch to fully realized body forms and actions, the purpose of this work is to find the unique expression of your personal interior and exterior corporeal functions.

The Dance of Intimacy – Butoh Workshop

Photo: Audrey Goforth photography – audreygoforthphotography.com

The Dance of Intimacy
Butoh Dance
June 26, 1-5pm
Instructor: Constance Humphries
Cost: $25

In this 4 hour workshop we will practice seeing and being seen through the lens of intimacy. Participants will make the invisible visible, learning more about the vulnerability of the body and mind. Through movement, we will find pathways to explore space, time and place and play with structures for improvising where we can witness and participate. Skills include release techniques and experiential anatomy to better understand the mechanics of the body. Additionally, we will work with patterns, imagery and perspective to create dances that are dynamic and alive in the moment.

Delivered in an approachable atmosphere which enables groups and individuals to develop and practice in a positive and challenging environment of serious play, the workshops are suitable for everyone, including actors, dancers, live/performance artists, musicians and anyone interested in exploring butoh as a means of creative investigation.

All aptitudes and abilities are welcome. No previous experience required. Participants are encouraged to work at their level.

Facebook event: https://www.facebook.com/events/1039337016132852/

A TECHNIQUE FOR BUTOH DANCE

PHOTO BY SANDEE JOHNSON

A TECHNIQUE FOR BUTOH DANCE    (6-week series) 

Taught by: Julie Becton Gillum

Mondays 6:30-8:30 pm, 2/15 – 3/21, 2016
Where: French Broad Studios, 475 Fletcher Martin Road
Cost: 6-session series is $100 OR $20 per session

Based on exercises and improvisations from Butoh training, Noguchi Gymnastics, and Modern Dance, this course aims to introduce a method for training and preparing the body to dance butoh. Classes will introduce, explore, and develop physical skills and anatomical theories of the body. Graham’s contract/ release theories, Humphrey /Limon’s concepts of fall /recover /rebound /suspend, Cunningham’s isolation and articulation practices, as well as Noguchi’s work with body as a water bag will provide material to assist in developing alignment, control of the center, and balance which are necessary for any dance or theatre performance. We will explore how to shape space through the timing and effort of our own creative energy, applying it in collaboration with gravity, and other physical forces. From the tiniest twitch to fully realized body forms and actions, the purpose of this work is to find the unique expression of your personal interior and exterior corporeal functions.

jbgbutoh@gmail.com
828 683 1377