The Invisible Wind: Awakening the Body Instrument Date: Saturday, November 11, 2017 Time: 1-5 PM Where: 475 Fletcher Martin Road, Alexander, NC 28701 Cost: $25 by November 1 / $30 after November 1 or at the door. Tickets: vanessabutohworkshop.brownpapertickets.com Questions: email@example.com More info: ashevillebutoh.com
“To translate the invisible wind through the water it sculpts in passing”. (Robert Bresson)
Awaken the body instrument with a Butoh dance workshop conducted by Vanessa Skantze. She will utilize myriad structural, energetic and visualization practices designed to deepen the awareness of the body as instrument. We will explore developing the interior realm of rhythm and vibration as a means of expanding the range of the instrument beyond image. A particular focus will be to develop strategies toward deep listening and improvisational work with sound artists; Vanessa is a seasoned improviser and considers this to be the central river of her dance performance work. Live music created by Elisa Faires will accompany the workshop.
“Butoh is a corpse standing straight up in a desperate bid for life” (Tatsumi Hijikata)
Vanessa Skantze is a Butoh artist and teacher of yoga and dance from Seattle. She has performed in the U.S. and Europe for over 20 years. She co-founded New Orleans sound/movement ensemble Death Posture in 2002, and collaborates with many renowned musicians including Jarboe and percussionist Tatsuya Nakatani. Skantze has trained with Jinen Butoh founder Atsushi Takenouchi since 2003, and performed with him in the U.S. and Europe. Since coming to Seattle in 2004 she has created numerous ensemble works under the name Danse Perdue as well as solo pieces. In 2013 she taught as part of Lydia Lunch’s Post-Catastrophe Collaborative. In 2016 she was a movement director and performer for a production of Henry V with Freehold Engaged Theater, which tours correctional facilities in the Seattle area. She returned as movement director for the 2017 production of Hamlet; and is a teaching artist with Freehold in the women’s correctional facility. She is a co-founder of Teatro de la Psychomachia, a performance space in Seattle that hosts many local, national and international sound and movement artists.
“The title reflects the space of the unknown that improvisation inhabits; also the deep listening, trust and communion that the individual performers are bringing to that space of convergence.”
In preparation for the upcoming 11th Asheville Butoh Festival in April, artistic director Julie B Gillum, is offering 6 workshops (12 hours) designed to prepare and introduce any body to butoh dance. (Only life experience is necessary, dance work is appropriate for any age or level.) Warm ups will consist of exercises from Noguchi Taiso, Modern Dance, Release Technique, Improvisation, and butoh practice. Practice will explore the 3-dimensionality of joints. The body, part by part, will experience being moved by an outside, unseen force rather than by personal will or objective. We will work with imagery to allow the body to move with /without weight and substance. We will work toward the primary goal of cultivating and sharing intimacy with self, partner, group, and audience.
Dates: Monday Evenings February 27 – April 3, 2017
BIO: Julie Becton Gillum has been creating, performing and teaching dance in the US and internationally for over 40 years. Her primary form of artistic expression has become butoh, which she has been practicing, performing and teaching since 1997. She has created and presented major pieces in the genre, at a variety of venues in New York, Chicago, San Francisco, Seattle, and Mexico. Gillum was awarded the 2008-09 NC Choreography Fellowship and used the funds to go to Japan the summer of 2009 to study butoh at the source.
Cost: $100 for all 6 sessions, paid first night of practice OR $20 per class
In this course, I would like to further develop the material from the original course taught in February, which barely scratched the surface. Several of the participants expressed interest in continuing to explore “A TECHNIQUE FOR BUTOH DANCE.” If you are interested, show up on June 13; if you have questions please contact me. All levels are welcome.
What: A TECHNIQUE FOR BUTOH DANCE 6 – Week Session
Who: Taught by Julie Becton Gillum, firstname.lastname@example.org, 828 683 1377 When: Monday Evenings, 6:30 – 8:30 PM, June 13, 20, 27, July 11, 18, 25
Where: French Broad Studios
475 Fletcher Martin Road,
Alexander, NC 28701
Cost: $100 for entire series OR $20 per session.
Based on exercises and improvisations from Butoh training, Noguchi Gymnastics, and Modern Dance, this course aims to introduce a method for training and preparing the body to dance butoh. Classes will introduce, explore, and develop physical skills and anatomical theories of the body. Graham’s contract/ release theories, Humphrey /Limon’s concepts of fall /recover /rebound /suspend, Cunningham’s isolation and articulation practices, as well as Noguchi’s work with body as a water bag will provide material to assist in developing alignment, control of the center, and balance which are necessary for any dance or theatre performance. We will explore how to shape space through the timing and effort of our own creative energy, applyiing it in collaboration with gravity, and other physical forces. From the tiniest twitch to fully realized body forms and actions, the purpose of this work is to find the unique expression of your personal interior and exterior corporeal functions.
In this 4 hour workshop we will practice seeing and being seen through the lens of intimacy. Participants will make the invisible visible, learning more about the vulnerability of the body and mind. Through movement, we will find pathways to explore space, time and place and play with structures for improvising where we can witness and participate. Skills include release techniques and experiential anatomy to better understand the mechanics of the body. Additionally, we will work with patterns, imagery and perspective to create dances that are dynamic and alive in the moment.
Delivered in an approachable atmosphere which enables groups and individuals to develop and practice in a positive and challenging environment of serious play, the workshops are suitable for everyone, including actors, dancers, live/performance artists, musicians and anyone interested in exploring butoh as a means of creative investigation.
All aptitudes and abilities are welcome. No previous experience required. Participants are encouraged to work at their level.
Mondays 6:30-8:30 pm, 2/15 – 3/21, 2016 Where: French Broad Studios, 475 Fletcher Martin Road Cost: 6-session series is $100 OR $20 per session
Based on exercises and improvisations from Butoh training, Noguchi Gymnastics, and Modern Dance, this course aims to introduce a method for training and preparing the body to dance butoh. Classes will introduce, explore, and develop physical skills and anatomical theories of the body. Graham’s contract/ release theories, Humphrey /Limon’s concepts of fall /recover /rebound /suspend, Cunningham’s isolation and articulation practices, as well as Noguchi’s work with body as a water bag will provide material to assist in developing alignment, control of the center, and balance which are necessary for any dance or theatre performance. We will explore how to shape space through the timing and effort of our own creative energy, applying it in collaboration with gravity, and other physical forces. From the tiniest twitch to fully realized body forms and actions, the purpose of this work is to find the unique expression of your personal interior and exterior corporeal functions.
BUTOH PRACTICE TIME CHANGED TO MONDAY EVENING!
For those of you who can’t make Sunday Butoh Practice, how about something completely different!
WHAT: 6-Week Introductory Course in Butoh ~ ALL LEVELS ARE WELCOME!
INSTIGATOR: Julie B Gillum of Legacy Butoh, email@example.com, 828 683 1377
DATES: Mondays – October 5, 12, 19, 26, November 2, & 9
TIME: 6:30 – 8:30 PM
PLACE: French Broad Studios, 475 Fletcher Martin Road, Alexander, NC 28701, http://frenchbroadstudios.com/ COST: $15 per week or $60 for the full 6-Week course
The course will introduce some basic butoh concepts and exercises, along with their roots within the legacy of butoh, as I have learned from my mentors. Ideas include:
* Presence. Practicing one’s own existence in space and time; carrying one´s own body weight.
* Connecting the Inside with the outside while developing a sense of the subtlety and delicacy of space and time between.
* The desublimated body [We stand in between life and death.Decay is the dance of living organisms. What is the beauty of fading out in dance?] vs the unleashed body [Movement without thinking in search of the body’s unconscious impulses.]
* Sensing. To use all ways of knowing to sense the essence of things. The power of focus in dance. The whole body has eyes.
* The empty body does not move intentionally. It is moved by something unseen.
Call Julie for more info. or about snow days: 828 683 1377
In honor of winter’s inward journey to the core of the dark cave of consciousness, our first classes will be structured around the concept of “Still Life.” We will explore the relationship between layers of the body from the interior core through bone, muscle, and skin outward into the exterior forces at work on our flesh. We will develop techniques and qualities of body action and inaction.
Asheville dance companies Anemone Dance Theater and Legacy Butoh will collaborate to host acclaimed Butoh artist and choreographer Vanessa Skantze for an artist residency in Asheville the week of August 5-12.