Archive for the Category Performances
It’s time to get fringey again. I am also including some performance events outside of the itinerary listed. Hope you can make it out for the festivities.
title: “The Jeezard Medicine Shows”
created by Julie Becton Gillum in collaboration with Sara Baird and Andrew Braddock
performers: Julie Becton Gillum, Andrew Braddock, Lucas Baumann (part 3)
part 1 – “Making The Jeezard”
location – in front of Asheville Art Museum at Pack Place
time – Thursday, January 20, 2011, 6:45 PM
part 2 – “Tongues”
location – Pritchard Park
times – Friday, January 21, 2011, 5:30 PM & Saturday, January 22, 2011, 5:30 PM
part 3 – “Snakearl”
locations – Friday @ BeBe Theatre, Saturday @ Black Mountain College Museum
times – Friday, January 21, 2011, 7:15 & Saturday, January 22, 2011, 7:15 PM
part 4 – “End Of The Jeezard”
location – starting at 140-D Roberts Street and ending at 123 Roberts Street
time – 7:30 PM both nights
The Asheville Fringe Arts Festival, January 20, 21, 22, 23, 2011
This is the annual multi-day and multiple venue performing extravaganza that ask artists of all types of genres and media (theatre, movement, music, spoken word, puppetry, spectacle, whatever!) to push their own boundaries and presents original and innovative performance art to a culturally adventurous audience. Now in our ninth year, join us and explore the Fringe. Keeping the “We” in Weird for Asheville for nine years!
The festival opening night event will be at the Asheville Art Museum, Pack Place on Thursday, January 20, 2011 at 7:00 p.m. ARTmob will present Pecha Kucha Night. Pecha Kucha means “chit chat” in Japanese. The Pecha Kucha experience features a visual avalanche of images that are collected from many contributors, each image is shown for 20 seconds. Pecha Kucha is fast paced and entertaining. Tickets for this event are priced at $3 for Art Museum Members; $5 for Non-Members
Among the 2011 Fringe venues will be the official Fringe box office and headquarters, the BeBe Theatre on Commerce Street. Featured in the shows at the BeBe will be Brooklyn’s Mari Meade Dance Collective. Led by choreographer Mari Meade Montoya, the company will perform “questions and unfinished sentences” a multi-media movement exploration of people’s life questions. Also performing at the BeBe is Taryn Packheiser from Greensboro, Taryn be will performing a solo multi-media piece entitled “Stag Unassisted.” Also featured are funny and strange videos by Kathleen Hahn and beloved local comedy sketch group, the Feral Chihuahuas and a profound shadow puppet piece by Red Herring Puppets, Lisa Struz.
At the Black Mountain College Museum and Arts Center on Broadway Street, there will be audio arts, experimental music and performance art for 2 nights (January 21 and 22, 2011). Musicians and composers such as Vincent Wrenn and Elisa Faires will premiere and showcase new music and ambient sounds along with digital visual artist Jason Scott Furr’s multimedia explorations. Featured at BMCM+AC will be AV Dance from Richmond, VA, led by artistic director, Ashley Valo, AVDance will perform “Tailed II” a movement piece that explores clothing and improvisation. Also premiering is “The Next Dog King” a theatrical performance collaboration from Jim Julien and composer Chandra Sukula with veterinarian Dr. Mark Ledyard that focuses on a young dog’s rise to power within a dog pack. Amanda Levesque and Tom Kilby of Interweave will perform an unique improvisational movement piece.
In the River Arts District, local dance company Moving Women and artist Shelley Pereda are collaborating on an installation and movement piece. Fringe performances by Runaway Circus, butoh dance priestess Julie Becton Gillum and dancer Amy Hamilton will be featured in a studio in the Wedge Building. Also, performances by multimedia artists, Stina Andersen and Marston Blow along with exotic dance performance by Dima.
An addition to the performances over the weekend is Saturday Fringe Ed Classes at Terpsicorps Dance Studio in the Wedge Building on Roberts Street. Among the class offerings are an intense Master Class with Mari Mead Dance Collective and theatre improvisation class with local imrov master, Mondy Carter along with movement improvisation with Kathy Meyers of Moving Women.
Artist performance schedules are subject to change and acts of gods and humans.
The Asheville FringeArts Festival is an annual presentation of the Asheville Contemporary Dance Theatre.
The Asheville FringeArts Festival is recommended for mature audiences only.
Tickets for the individual shows at the BeBe Theatre, BMCM+AC and the River Arts District are $12.00, $10.00 students/seniors. An all-access Fringe Freak Pass is available for $25.00.
Individual show Tickets and Fringe Freak All Access Passes will be available in January, 2011 at the BeBe Theatre, 20 Commerce St. Asheville, NC Box Office Phone; 828 254-2621
Find out more at www.ashevillefringe.org
Asheville Fringe Arts Festival
work phone: 828-255-1900
Our Mission–”The Asheville Fringe Arts Festival provides artists with opportunities to explore the edges of their work, to collaborate across genres and to bring new and innovative performances to culturally adventurous audiences.”
Julie has been invited to perform in the first annual Boulder Butoh Festival. Here is the link:
Check it out.
When: Saturday, October 2, 2010
Where: 104 Flint Street, Asheville
Come enjoy live performances with dancers and musicians Julie Becton Gillum, Erik Moellering, Julia Taylor, Elisa Faires, and Chandra Shukla
Join us for a glass of wine and live music and dance in the gardens. Suggested donation is $20/pay what you can.
All proceeds benefit Anemone Dance Theater and Legacy Butoh for the production of Yugen at the NC Stage Company’s Catalyst Series June 23-July 2 2011.
Please bring your friends. We hope you will join us!
Call Sara Baird/Anemone Dance Theater with any questions, 646.522-2518.
More information: www.anemonedance.org www.ashevillebutoh.com
Sankai Juku is known for their visually stunning, ritualistic movement style, sensually performed by only men. The workshop was taught by director Semimaru, who was the original member of the company whose work is choreographed by Amagatsu. Members of the company took class with us and performed with us during the final performance at the end of the week.
During this workshop I learned a lot about the Noguchi Taiso method of body conditioning which is used by many butoh teachers. This method defines the body as a skin bag filled with water in which float the bones, muscles and organs. Movements involve shaking, waving, floating. Spinal alignment, a central axis, relaxed shoulders, and hanging from a string are basic to Noguchi Taiso. Semimaru also uses the ideas of tension /relaxation, center of gravity, vertical /horizontal, breathing, and rhythm in this work. These exercises felt so good to my body. I plan to continue them to keep me loose and strong.
The movement material we performed was not particularly interesting and used the same quality (soft, slow, wavy) throughout.
I did not feel a strong connection with Semimaru who is not particularly warm or friendly. I felt he just wanted us to pay our money, not make too much trouble and then go quietly away.
What: Butoh Performance
Where: The Pavillion at Warren Wilson College
When: Tuesday May 12, 2009, 6:30 PM (Bring a picnic)
“Lifeblood” a collaborative duet with Julie Becton Gillum and Michael McCue will premiere. The piece explores friendship and gender roles. A new piece, yet to be titled, will be performed by the WWC butoh class. In addition, the Modern Dance Technique class will perform a demonstration of the work they have accomplished this semester and Heather Sevcik will perform a piece inspired by her independent study “Affects of Sexual Abuse on Pregnancy, Birth and Mothering.”
This piece, “Bamboo Tunnel” was performed at the RiverSculpture Festival 2008 Woodfin at the entrance to Reynolds Village. (Please click on the image to see it at full size.)