Friday, September 16, 6-10 pm
Friday, September 16, 6-10 pm
Photography by Li Yang
Saturday September 3, 2016; 1:00 – 4:00 PM
New Studio of Dance, 20 Commerce Street, downtown Asheville, NC
Cost:$30 (general); $25 (students /seniors)
Wednesday, July 27 at 8 PM – 11 PM
Crow and Quill
106 N Lexington Ave, Asheville, North Carolina 28801
July 27 marks the next installment of the Summer Fringe Nights at the Crow & Quill. This event will feature three performances by local Butoh masters. These short pieces, each about 15 – 20 minutes in length, represent a variety of Butoh styles and emotions. From the silly to the sublime, the performers present tales of weirdness and woe in various locations within the bar.
Julie Becton Gillum, internationally known dancer and founder of Legacy Butoh, is performing and coordinating this interactive evening which also features Sarah Baird from Anemone Dance Theater, Jenni Cockrell from strangedaughters butoh and Constance Humphries.
The Crow & Quill at 106 N. Lexington has an extraordinary menu of cocktails and an exquisite atmosphere that takes you back in time. Come enjoy the alternate universe with a vintage Whiskey, unique hand crafted cocktail and a Butoh performance.
In this course, I would like to further develop the material from the original course taught in February, which barely scratched the surface. Several of the participants expressed interest in continuing to explore “A TECHNIQUE FOR BUTOH DANCE.” If you are interested, show up on June 13; if you have questions please contact me. All levels are welcome.
What: A TECHNIQUE FOR BUTOH DANCE 6 – Week Session
Who: Taught by Julie Becton Gillum, firstname.lastname@example.org, 828 683 1377
When: Monday Evenings, 6:30 – 8:30 PM, June 13, 20, 27, July 11, 18, 25
Where: French Broad Studios
475 Fletcher Martin Road,
Alexander, NC 28701
Cost: $100 for entire series OR $20 per session.
Based on exercises and improvisations from Butoh training, Noguchi Gymnastics, and Modern Dance, this course aims to introduce a method for training and preparing the body to dance butoh. Classes will introduce, explore, and develop physical skills and anatomical theories of the body. Graham’s contract/ release theories, Humphrey /Limon’s concepts of fall /recover /rebound /suspend, Cunningham’s isolation and articulation practices, as well as Noguchi’s work with body as a water bag will provide material to assist in developing alignment, control of the center, and balance which are necessary for any dance or theatre performance. We will explore how to shape space through the timing and effort of our own creative energy, applyiing it in collaboration with gravity, and other physical forces. From the tiniest twitch to fully realized body forms and actions, the purpose of this work is to find the unique expression of your personal interior and exterior corporeal functions.
In this 4 hour workshop we will practice seeing and being seen through the lens of intimacy. Participants will make the invisible visible, learning more about the vulnerability of the body and mind. Through movement, we will find pathways to explore space, time and place and play with structures for improvising where we can witness and participate. Skills include release techniques and experiential anatomy to better understand the mechanics of the body. Additionally, we will work with patterns, imagery and perspective to create dances that are dynamic and alive in the moment.
Delivered in an approachable atmosphere which enables groups and individuals to develop and practice in a positive and challenging environment of serious play, the workshops are suitable for everyone, including actors, dancers, live/performance artists, musicians and anyone interested in exploring butoh as a means of creative investigation.
All aptitudes and abilities are welcome. No previous experience required. Participants are encouraged to work at their level.
Facebook event: https://www.facebook.com/
The 10th Asheville Butoh Festival
April 7-10, 2016
BeBe Theatre, 20 Commerce Street, Asheville, NC
SCHEDULE OF EVENTS
Thursday/Friday, April 7th & 8th – 7:30 pm
Before The Dawn created and performed by Yumiko Yoshioka
General Admission $18, Students and Seniors $15
*This event was generously funded by
Derek Dominy & Denise Carbonell @ The Cotton Mill Studios
Saturday/Sunday, April 9th & 10th – 1:00-5:00 pm
Workshops by Yumiko Yoshioka $40; $75 for both
Saturday, April 9th – 7:30 pm
Local Color, Asheville’s own butoh crew: Sara Baird, Julie B Gillum,
Constance Humphries, and Julia Taylor
With composers: Elisa Faires and Meghan Mulhearn
General Admission $18, Students and Seniors $15
Sunday, April 10th – 7:30 pm
strange daughters, an evening of solos by Jenni Cockrell
General Admission $18, Students and Seniors $15
Reservations: BeBe Theatre 828 254 2621
Box Office hours: M – F, 3:00 – 6:00 pm
2016 marks the 10th Asheville Butoh Festival and twenty years of butoh dance in Asheville. Julie Becton Gillum and the Asheville Contemporary Dance Theatre have collaborated to produce this uncommon festival. For Asheville Butoh’s landmark year, we have invited Yumiko Yoshioka, world renowned butoh performer and teacher to share her talents with us. Cities such as Portland, San Francisco, Vancouver, Montreal, New York, Chicago, and Asheville are havens for butoh dance, still finding itself in North America.
In honor of our 10th anniversary we have asked Yumiko to perform her seminal work Before the Dawn, a piece that represents butoh at its most profound level of movement exploration and philosophical inquiry. In this evening length epic, Yumiko Yoshioka, through her own transformation, illuminates secrets in our bodies. Her movement and gestures, execute a divine incantation in which she invites the sublime and monstrous beings from dreams and nightmares to dance with her. Her performances will be Thursday April 7 and Friday April 8 at 7:30 PM.
Yumiko will teach two butoh and organic movement workshops on Saturday April 9 and Sunday April 10, 1:00 – 5:00 PM. Cost is $40 for each workshop or $75 for both. The body is a receptacle of time. Body Resonance is a key to open the ever changing world inside and outside of us. The body unfolds its secrets, holding them up until they reverberate within the surrounding Universe. A dance of metamorphosis inevitably appears. One step to metamorphosis! All levels are welcome to this 8 hour corporeal feast. Performances and workshops take place at the BeBe Theatre, 20 Commerce Street in downtown Asheville.
Local contemporary butoh will feature prominently in the Asheville Butoh Festival. Performances by Sara Baird, Jenni Cockrell, Constance Humphries, and Julia Taylor will highlight this year’s anniversary show. Composers Elisa Faires and Meg Mulhearn will make spotlight appearances to accompany in the Local Color show.
Butoh originated in post-WWII Japan as an artistic reaction to the chaotic climate in the country following the war and the uneasy shift towards democratic values. Butoh dance is a postmodern movement in which formal dance technique is eschewed in favor of primal and idiosyncratic movements. Butoh was born from an amalgamation of influences including the German Expressionistic dances of Mary Wigman and Harold Kreutzberg, western writers Genet, Artaud and de Sade, and the artistic movements of Surrealism and Dada. Butoh uses the body brazenly, in its most corporeal state, as a battleground to attain personal, social, or political transformations. Butoh dance challenges convention and avoids definition in order to reveal the fervent beauty of the unique human spirit.
Dancer, choreographer, teacher, art director, Yumiko Yoshioka was born in Tokyo, and has been residing in Germany since 1988. In the early seventies and eighties, she was a member of the first women’s Butoh dance company, ARIADONE. In 1978, she performed with Ko Murobushi and Carlotta Ikeda in Paris, in the first Butoh performance outside of Japan. She was also a member of tatoeba - THEATRE DANSE GROTESQUE with Minako Seki and delta RA’i.
Yumiko’s art-formation group TEN PEN CHii art labor , is a collaborative company residing at Schloss Broellin in northeastern Germany. Here, Yumiko researches the interactivity between dance, space, and visual art, exploring new zones in body works and performing arts.
Besides international tours throughout Asia, Europe, Oceania and North /South America, Yumiko, in collaboration with delta RA’ i, directs eX…it !, Dance Exchange Research Project. Since 1995, more than 100 artists and dance students from all over the world have participated in this exciting festival of contemporary butoh.
We are pleased to announce that Emiko Suzuki and the WNC Japanese Culture Center will provide lovely ikebana arrangements that will be up for silent auction at every performance. These beautiful floral gifts will help to support the Asheville Butoh Festival as well as introduce Emiko and Japanese culture to Asheville audiences.
WNC Japanese Culture Center at 629 5th Avenue West in downtown Hendersonville, is a dream venue of Manabu and Emiko Suzuki who are originally from Japan. They wish to share their native culture by teaching Origami, Japanese songs, Ikebana (traditional flower arrangement) and the tea ceremony ritual. The center shows Japanese films and provides gallery space for art related to Japanese culture. Emiko is an advisor of Ikenobo Ikebana Society (Blue Ridge Chapter) and Ikebana International (Asheville Chapter.) Ikebana and the tea ceremony are traditional Japanese art forms whose ritual and aesthetic have been transferred generation by generation for more than 500 years in Japan. Emiko has been studying these traditions for over 30 years.
For more information or to register for classes contact Emiko Suzuki, director of WNCJCC at IkenoboHVL@gmail.com
A TECHNIQUE FOR BUTOH DANCE (6-week series)
Taught by: Julie Becton Gillum
Mondays 6:30-8:30 pm, 2/15 – 3/21, 2016
Where: French Broad Studios, 475 Fletcher Martin Road
Cost: 6-session series is $100 OR $20 per session
Based on exercises and improvisations from Butoh training, Noguchi Gymnastics, and Modern Dance, this course aims to introduce a method for training and preparing the body to dance butoh. Classes will introduce, explore, and develop physical skills and anatomical theories of the body. Graham’s contract/ release theories, Humphrey /Limon’s concepts of fall /recover /rebound /suspend, Cunningham’s isolation and articulation practices, as well as Noguchi’s work with body as a water bag will provide material to assist in developing alignment, control of the center, and balance which are necessary for any dance or theatre performance. We will explore how to shape space through the timing and effort of our own creative energy, applying it in collaboration with gravity, and other physical forces. From the tiniest twitch to fully realized body forms and actions, the purpose of this work is to find the unique expression of your personal interior and exterior corporeal functions.
828 683 1377
Asheville Butoh Festival and Asheville Contemporary Dance Theatre present
What: Chicago Butoh Veteran Nicole LeGette returns to Asheville to collaborate with dancers, teach workshops, present rare butoh films, and a Work-In-Progress showing.
Where: BeBe Theatre, 20 Commerce Street, downtown Asheville
When: Sunday, November 8, 1:00 – 4:00 PM – Workshop with Nicole
Tuesday, November 10, 8:00 PM – Butoh film screening
Sunday, November 15, 1:00 – 4:00 PM – Workshop with Nicole
Tuesday, November 17, 8:00 PM – Butoh film screening
Saturday, November 21, 4:00 PM – Work-In-Progress showing
Cost: Workshops: $50 for BOTH OR $30 for single workshop
Films: Donation to Asheville Butoh Festival
Work-In-Progress showing: Donation to Asheville Butoh Festival
The Legacy Butoh and Asheville Contemporary Dance Theatre are proud to present the Midwest’s foremost butoh artist Nicole LeGette, to be in-residence in Asheville for the month of November. LeGette will be collaborating with local butoh dancers Julie Becton Gillum (Legacy Butoh), Sara Baird (Anemone), and Jenni Cockrell (strange daughters butoh) to create a new work to be premiered at the Asheville Butoh Festival April 7-10, 2016. On Saturday November 21, at 4:00 PM, a Work-In-Progress showing of the ongoing collaboration. This showing offers an opportunity to witness the “ma“ of butoh. The word “ma” in Japanese means the space and time between. The audience will witness the process of creation after conception and before performance.
LeGette’s accomplishments as resource, performer, teacher, curator, and producer will be employed for various activities during her time in Asheville. In addition to the creative collaboration, she will teach workshops and share rare butoh films with Asheville audiences. All events will take place at the BeBe Theatre, 20 Commerce Street, in downtown Asheville.
Butoh originated in post-WWII Japan as an artistic reaction to the chaotic climate in the country following the war and the uneasy shift towards democratic values. Butoh dance is a postmodern movement in which formal dance technique is eschewed in favor of primal and idiosyncratic movements. Butoh was born from an amalgamation of influences including the German expressionistic dances of Mary Wigman and Harold Krautzberg, western writers Genet, Artaud and de Sade, and the artistic movements of Surrealism and Dada. Butoh uses the body brazenly, in its most corporeal state, as a battleground to attain personal, social, or political transformations. Butoh dance challenges convention and avoids definition in order to reveal the fervent beauty of the unique human spirit.
LeGette’s FERTILE SOIL workshops will take place on consecutive Sundays, November 8 and 15, 1:00-4:00 PM. No prior experience in butoh, dance, or performing-arts is necessary. These workshops are appropriate for curious people who wish to explore and express through their bodies in both free-form and structured creative exercises. They are also suitable for performers and those wishing to thoroughly challenge themselves. Cost for one workshop is $30; you can take BOTH workshops for $50.
The workshop on November 8 entitled ‘body, body, body, flesh” investigates different conceptions of the ‘body’ and how butoh training techniques push, pull and expand the very act of manifesting embodiment. On November 15 workshop participants will delve into the “Serious Play of Butoh.” In traversing butoh’s territory of the grotesque we will navigate the tricky terrain between silly and sublime, finding the best of butoh in the playfulness of the conjoined twindom: how to be deeply serious while at the same time equally inhabiting the opposite.
On Tuesdays November 10 and 17, at 8:00 PM, rare butoh videos drawn from Nicole LeGette’s private collection will be shown. We will gather to view and discuss the art of butoh dance. This is an opportunity to see some of the Japanese pioneers of butoh in their prime, as well as more contemporary butoh work. Suggested donation $5.
LeGette is no stranger to Asheville; she performed and taught a workshop for the 2012 Asheville Butoh Festival. In 2003, LeGette established “blushing poppy” production and performance company. Her performance – in ensemble, collaboration and solo – has been presented across the US, Mexico, Japan, and Indonesia. In Chicago, she hosts regional, national and international butoh artists through innovative events and partnerships.
BUTOH PRACTICE TIME CHANGED TO MONDAY EVENING!
For those of you who can’t make Sunday Butoh Practice, how about something completely different!
WHAT: 6-Week Introductory Course in Butoh ~ ALL LEVELS ARE WELCOME!
INSTIGATOR: Julie B Gillum of Legacy Butoh, email@example.com, 828 683 1377
DATES: Mondays – October 5, 12, 19, 26, November 2, & 9
TIME: 6:30 – 8:30 PM
PLACE: French Broad Studios, 475 Fletcher Martin Road, Alexander, NC 28701, http://frenchbroadstudios.com/
COST: $15 per week or $60 for the full 6-Week course
The course will introduce some basic butoh concepts and exercises, along with their roots within the legacy of butoh, as I have learned from my mentors. Ideas include:
* Presence. Practicing one’s own existence in space and time; carrying one´s own body weight.
* Connecting the Inside with the outside while developing a sense of the subtlety and delicacy of space and time between.
* The desublimated body [We stand in between life and death.Decay is the dance of living organisms. What is the beauty of fading out in dance?] vs the unleashed body [Movement without thinking in search of the body’s unconscious impulses.]
* Sensing. To use all ways of knowing to sense the essence of things. The power of focus in dance. The whole body has eyes.
* The empty body does not move intentionally. It is moved by something unseen.
This short video was created by Misha. Enjoy!